Or is that finished but not done???
I have accomplished the first objective I set for myself and it covers the page nicely and shows what I wanted.
I use fixative. When I see what I want, I usually mist the whole thing with workable fixative so it is more sturdy and I can work back into it. The big drawback to simple paper is that it fills pretty quickly. The pastel medium is much more toothy, but I still am used to "sinking" the piece.
PERSONAL PREJUDICE:
I believe pastellist should learn to use fixative. It is a terrible burden on your framer to hand him a pile of dust and say make it stand up and not fall off. There are geniuses who will, but especially amateurs on a budget, it is awful to get an inexpensive, art supply store novice who will either spray it themselves for lack of knowledge, ruin it with mishandling, or not know how to deal with the dust and end up with colorful white mats. Learning to use fixative is, again, working from the darkest areas up. When you fix the basic piece it WILL often darken. SO, lighten up the areas and don't fix the last layers. Still an improvement for your framer.
Back to me...
I have received some valuable input from a good pastel landscapist and I am going to ponder it now. I want to look at the piece and see what I don't like.
I will read the advice of my friend and see if it applies to my problems and get back into it and fix up the lighter values and possibly repaint some of it.... but I DO like my cloud!!!
dj*
About Me
- Debra Jones
- Portrait artist, fine artist, educator, student. Trying all means to keep from getting a day job in the tough times, but still supporting myself as an artist! deejaystar@yahoo.com Follow any and all of my blogs. THANK YOU!
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