Because I wanted to be sure to see the progress of the technique, which I have shown you here, I brought a couple of pieces to demonstrate.
This first one was underpainted and begun but put aside to work on during the main demo as the painting dried.
The main demo was a drawing only when I came in but I showed some of my work and explained the simple reasons that I used the colors and why... and then demonstrated that the more important part was instinct and artistic eye.
While the watercolors dried, I worked on the prepped piece and got to this point.
The real excitement of this process is how the negative shape reveals the larger elements.
When dry, this piece which began as a charcoal sketch, was fleshed out and left like this:
I hope the standing room audience found the speed and freedom of this technique something they can use in all of their work, not just pastels.
The workshop will involve a bit of demo on how to use a computer to help visualize improbable colors to use under your subjects, in order to produce vibrancy and energy. I tried to stress that the most important thing in my workshop is having a sense of where you are aiming the painting before you begin and a willingness to do it wrong.
I understand someone once asked Edison how it felt to be the man who figured out how to bring light to the world. He said he was more proud of the over 600 ways he learned NOT to!
Please, contact me or http://mountainartistsguild.org and click the workshops link on the header for all the information to come out and spend a nice long weekend in the hills of Arizona.
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